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Flea FLEA49 Vintage Tube Microphone Set (M49)

Original price was: 4.743,20€.Current price is: 4.719,00€. 3.900,00+VAT

Replica of the 49-style multi-pattern tube condenser microphone with FLEA’s F7 capusle modeled after the M7

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SKU: Fle3C Categories: , Tag: Brand:

Description

The Flea Flea49 Vintage Tube Microphone is an exact replica of the Neumann M49. It is equipped with F7 capsule – our exact replica of M7 capsule. Another important part is transformer which is also our exact replica of transformers used in M49 mics

The last important part of the electronical system of the microphone is its tube, triode, carefully selected for noise reduction. This Flea49¬†is fantastic not only for female vocals. You can – taste it !!! The sound is soft and pleasant. The Full Flea 49 Tube Mic Set includes microphone in wooden box, PSU, cable, and of course safe portable case. At the PSU is placed switch for 110V/230V.

The full set includes: the mic in wooden box, cable, shockmount and power supply.

Flea49 Vintage Specifications:

  • Exact replica of theNeumann M49
  • Frequency Range: 40Hz – 18kHz
  • Directional pattern cardioid | Omni | eight
  • Sensitivity at 1kHz 9mV/Pa | 8mV/Pa | 10mV/Pa
  • Rated impedance 50/200 Ohm
  • Rated load impedance min 500/2000 Ohm
  • Capsules: F7 Capsule, our precise replica of the iconic M7 capsule.
  • Transformer: Flea BV11: Our exact replica of the original BV11 transformer is a crucial component in reproducing the classic sound of the m-forty-nine.
  • Tube: 6S6B Triode Tube: Hand-selected for optimal performance, contributing to the microphone’s signature warmth and clarity.
  • Weight: 770g

 


Neumann M49, the origin:

  • The Neumann M49 was developed in the early 1950s by Neumann.
  • It featured a variable polar pattern controlled via the power supply unit, allowing the pattern to be adjusted remotely from up to 90 metres away.
  • Based on the same sonic philosophy as the U47 and U48, it offered a smoother, more natural sound, with great versatility between omnidirectional, cardioid and figure-of-eight patterns.
  • It quickly became a studio and broadcast standard and can be heard on countless jazz and soul recordings from the 1950s and 1960s.
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