After 26 hours and a huge queue to get in the NAMM Show, I have to admit that it was worth it. We have met old and new friends – some neighbours you can barely see and who are 9,000km away – but, above all, we have been able to see and try first hand all the novelties that most of the brands exibiting brought to the show, bring news to tell you and, of .
We start September with good news for video editing lovers as Magix presents the new version of its Vegas Pro software. Magix Vegas Pro 15 is fully customizable and allows you to work faster and more efficiently. Once again, the version takes innovation and creativity to a higher level with new features that deliver power, precision and the speed needed to achieve professional results. With four languages to choose from (English, Spanish, German and .
Lake Travis, TX (May 31st, 2017) – Just west of Austin, Pedernales Country Club was originally purchased by Willie Nelson in 1979 and opened as a studio in 1981. After a number of years in nonoperation, Nelson decided to bring the studio back to life, and the end result was the installation of a 40-input 5088 audio console from Rupert Neve Designs. – What is chief engineer Steve Chadie’s opinion? Chief Engineer Steve Chadie .
Andy Kruesi, a Swiss musician, producer and engineer, has recently purchased a stereo pair of Reflexion Arts RA239 driven by Neva Audio/Reflexion Arts Series Studio II mk2 amplifiers. The new amplifier series have been improved on its noise performance – even further – as well as on its frequency response that has been extended to 230kHz (+0;-3dB). Noise is now down to -112dBA. – For now the monitors are sitting in a conventional, room .
Introduction There is very little published regarding power systems for professional audio systems and installations, it is often seen as a bit of a black art and in circumstances where we are presented with a poor power system, resolving problems can become a very hit-and-miss affair that appears to many to be the black art it is presented as. Often we find a staggering lack of common knowledge between the electrical installer and the .
January 19th, 2017 – New for the NAMM Show, Rupert Neve Designs is proud to announce two new products: the R10 Ten Space 500-Series Rack, and the MC5 SwiftMix™ Master Control module for the company’s 5088 consoles outfitted with SwiftMix moving fader automation. R10: Building on the success of the R6 Six Space Rack introduced in 2015, the R10 is a 500-Series rack made for serious sound. With more than 150% the required current, .
January 19, 2017 – Anaheim, CA. Today Lynx Studio Technology introduces the Aurora(n) line of A/D and D/A converters defining a major leap forward in the performance level, flexibility, channel count and features available in the converter/interface market. Representing the largest product offering from Lynx, the initial fourteen models will include models boasting up to 32 channels with connectivity options to include Thunderbolt, USB, Dante and ProTools | HD all in a single rack .
The studio Vale de Lobos is located in a small farm, in a place with the same name, very close to beautiful Sintra, not far from Lisbon. Rui Veloso is a Portuguese musician enormously recognized for his contribution to the great expansion of the so-called “Portuguese Rock” in the early 80’s. His album “Ar de Rock” is one of the best selling and sounded albums ever in the country. But besides that, Rui has .
WHAT? The Lynx LT-DANTE is a Dante™ enabled expansion card for audio networking that connects Hilo and Aurora with other Dante-enabled products over Ethernet-based networks for studios, live, broadcast and installed audio systems. The new models are: LT-Dante LSlot card Aurora 8-DNT Aurora 8 with an LT-Dante factory installed Aurora 16-DNT Aurora 16 with an LT-Dante factory installed Hilo-DNT Hilo with an LT-Dante factory installed US MAP prices are: LT-DANTE $695; Hilo-DT $2695; Aurora .
Tanuj Tiku is a successful musician and composer from Mumbai, India, where he produces a lot of work for film soundtracks. After years of wishing to work in his own studio, with the best possible acoustics and efficiency, he started looking around for studio designers. At University he had access to Philip Newell’s Recording Studio Design, which apparently called his attention to very relevant facts regarding control-room acoustics, so he thought that should be .